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![[Triangle]](http://www.breezewayrecords.com/images/secondary/smalltri.jpg)



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Distinguished gentlemen
"Mike Sokolowski is a genius. I found myself at his bi-monthly Miller's gig staring at the floor,
totally tranced out to his ethereal classical/jazz piano improvisations. It's heady stuff -- deep
wafting clouds of musical poetry floating from room to room of some ancient secret mansion. His
band with Houston Ross and Johnny Gilmore (now TR3's rhythm section), Soko, is all but disbanded,
but the spirit of his piano work is every bit as powerful unaccompanied on Miller's slightly out-of-tune
upright. He's an accomplished dude. Soko's first CD, In November Sunlight, was a powerful foray into
funk-jazz fusion (and featured our liege, Dave Matthews on a tune) and he's just overseen the
re-release of his improvisational duet with Tim Reynolds, Common Margins, an ambient classic that
would make Brian Eno proud. "Ambient" is a good word for a Miller's Monday, with Mike alternating weeks
with another ambient guru, Greg Howard. Both these guys perform advanced musical meditations in a
decidedly environmental way, conjuring deep moods and strange emotions, and they both like the
Beatles."
— Cripsy Duck, Cripsy's Crawl, C-VILLE-Weekly, November, 1999
Survival of the flittest
"July 31-- It was a mellow Monday night and I needed to write, but my brain was resisting all
efforts to subvert its attention, so I biked down to the mall for a beer that never materialized. I
don't know what happened-- I just... lost the urge.
At Miller's, Michael Sokolowski had pushed the house spinet out into the room for two sets of
his deep ambient classical piano jazz meditations-- honestly, some of the more thoughtful
music being generated around here. When Mike plays, I enjoy sitting silently, staring at the
floor and spacing out with him. He goes for these lush, intelligent, moody landscapes, and if
you listen closely without distraction, it can be quite touching. Too touching for most people, I'd
imagine-- things occasionally get so beautiful as to provoke teary-eye moments, and frankly,
who wants to get all choked up in a smokey bar? Besides me?
He spends most of his time in drawn-out improvisations, but he also has an interesting affection
for unusual tunage, like his instrumental exploration of Sting's "Fields of Gold" or the late set
rendition of "Favorite Things" that morphed into a tender Grateful Dead "Stella Blue." (As it
turns out, this was his first live stab at a Dead tune and it just happened to be the anniversary of
Jerry Garcia's birthday.-- Too cool.)
Sokolowski's record label, Breezeway
Records, has just released Offering, a
collaboration with Tim Reynolds and
Worth Profitt taken from a live performance
experiment in '91 with one new bonus studio
track tacked on the end. I urge you to go
pick up a copy. It's deep. Very deep. And you
deserve the very best."
— Cripsy Duck, Cripsy's Crawl, C-VILLE-Weekly, August, 2000
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